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Subtext became popular in media, especially in film, during the 1930's due to the Hays Code which limited what can be shown on screen. The suggestion-but not the reality." Rose Bridges summarized the practice's effect on queer fans as receiving "just enough to keep us interested, but not enough to satisfy us and make us truly represented." Critiques Ĭritics of those who engage in queerbaiting discourse point to its similarity, and perhaps confusion by audiences, with subtext. Emmet Scout wrote that "queerbaiting works on its audience because it offers the suggestion that queer people do have a vital place in these stories, that they might even be the defining figures, the heroes. Queer fans consider queerbaiting as "a way to throw us a bone when we normally wouldn't have anything, to acknowledge that we're there in the audience when the powers that be would prefer to ignore us".
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For instance, Glee, a series with many queer series regulars, was criticized by fans for presenting "superficial stereotypes of queerness for dramatic effect". įans have derided, for instance, queer characters being used as plot devices rather than as characters for their own sake. Queer fans have reacted with concern and anger to an identity they consider defining being used as a mere marketing ploy, a plaything for creatives, a mark of "edginess", or a commodity. īy engaging with queerbaiting, fans participate in a form of activism to call for a better form of representation in media. It comes from a larger history of LGBT discourse in media representation dating back to the 1970s from subtle marketing to LGBT people through commercials and books. The term arose in and has been popularized through discussions in Internet fandom since the early 2010s. Queerbaiting has been observed in popular fiction such as films and television series, but also in celebrities who convey an ambiguous sexual identity through their works and statements. They do so to attract (" bait") a queer or straight ally audience with the suggestion of relationships or characters that appeal to them, while at the same time attempting to avoid alienating other consumers. Queerbaiting is a marketing technique for fiction and entertainment in which creators hint at, but then do not actually depict, same-sex romance or other LGBT representation. The cast and crew of Sherlock have consistently denied that the relationship between the titular detective and his flatmate is intended to be seen as romantic, but critics have called the depiction queerbaiting.